Humanities & Social Sciences
Makerere Marks 40 Years of Cultural and Academic Cooperation with the Italian Ethnographic Mission
Minister calls on universities to Mainstream Cultural Studies
Kampala, Uganda | May 16, 2025 — Makerere University, in collaboration with the University of Turin and the Italian Embassy in Kampala, marked four decades of academic and cultural partnership with a landmark photographic exhibition titled “Connecting Cultures: The Italian Ethnological Mission in the Great Lakes Region.”
The exhibition, hosted at the College of Humanities and Social Sciences (CHUSS), visually chronicles over 40 years of Italian ethnographic research in Equatorial Africa. Since its establishment in 1979, the Italian Ethnological Mission—anchored at the University of Turin—has documented and studied the social and cultural fabric of the Great Lakes Region, including Uganda, the Democratic Republic of Congo, Rwanda, Burundi, and Tanzania.
Funded by the Italian Ministry of Foreign Affairs and International Cooperation and supported by the Erasmus+ programme, the mission focuses on topics including refugee integration, traditional knowledge, oral history, and cultural continuity.
The exhibition aims to share the Mission’s ethnographic insights, celebrate academic cooperation between Uganda and Italy, and highlight the deep interwoven cultural legacies of the region’s communities.
Presiding over the official opening on behalf of the Honorable Minister of State for Higher Education, Dr. John Chrysestom Muyingo, Commissioner Timothy Ssejjoba delivered a message emphasizing the educational significance of the initiative.
“This is not merely an exhibition of images,” he said. “It is a profound representation of intellectual partnership, cultural dialogue, and the enduring power of research and education to shape societies.”
Drawing inspiration from an African proverb—”When a child washes their hands, they dine with kings”—he acknowledged the honor of representing the Minister at such a distinguished gathering and used the opportunity to reaffirm government support for cultural preservation and academic innovation.
Commissioner Ssejjoba noted that Uganda’s aspirations, as articulated in the Vision 2040 and successive National Development Plans (NDP III and IV), align strongly with the goals of ethnographic research. He highlighted that investing in cultural heritage is not merely nostalgic but strategic for human capital development, social cohesion, and regional integration.
“In today’s world of globalization and displacement, ethnographic work becomes indispensable. It helps us preserve intangible heritage and build resilient, inclusive communities,” he said.
The commissioner commended the Italian Ethnological Mission, founded by Prof. Francesco Remotti and carried forward by Prof. Cecilia Pennacini and current Director Prof. Alessandro Gusman, for their long-standing engagement with Uganda and the wider Great Lakes Region.
Ministerial Appeal: Cultural Studies Are a Necessity, Not a Luxury
A key message in his remarks was a direct call to Uganda’s higher education institutions:
“I therefore call upon our universities to continue integrating cultural studies into mainstream curricula—not as a luxury, but as a necessity in building well-rounded, empathetic, and informed citizens.”
This appeal was underpinned by the government’s commitment to transformative education, as outlined in the Social Education Sector Strategic Plan, which seeks to produce globally minded graduates capable of addressing complex societal issues.
The commissioner also lauded the Erasmus+ Programme for facilitating student and staff mobility between Makerere and the University of Turin, significantly improving PhD completion rates and strengthening international research ties.
The Connecting Cultures exhibition offers a visual journey through four decades of ethnographic work, touching on themes such as identity, migration, oral traditions, music, and the social lives of communities across the region. It serves not only as a scholarly archive but also as a bridge between past and future generations.
“These photographs are living stories,” Ssejjoba emphasized. “They reflect identity, tradition, and the power of memory in shaping who we are—and who we aspire to become.”
In echoing the day’s theme, Commissioner Ssejjoba described the exhibition as “a testament to the transformative power of education, culture, and international solidarity.” He called upon development partners to support similar initiatives that use culture as a tool for peacebuilding, intercultural dialogue, and inclusive development.
“To the students, researchers, and the broader public,” he concluded, “may you draw inspiration from this work. Let us preserve our cultural heritage, connect across borders, and use education as a force for progress.”
Italy Backs Cross-Cultural Research as Key to Social Transformation – Ambassador Massoni
Italy’s Ambassador to Uganda, H.E. Mauro Massoni, hailed cross-cultural academic collaboration as a powerful vehicle for social change, policy innovation, and mutual understanding, calling the partnership between Makerere University and the University of Turin a model for international cooperation.
Ambassador Massoni praised the longstanding collaboration between Italian and Ugandan scholars, particularly through the Italian Ethnological Mission in the Great Lakes Region. He noted that the mission, established over four decades ago, continues to foster intercultural dialogue and tackle shared global challenges through ethnographic research.
“This exhibition offers more than images. It tells the story of enduring cooperation—academic, cultural, and human—between our two countries,” he said. “It’s a testament to what we can achieve when we work together across disciplines, borders, and continents.”
The Ambassador commended the University of Turin, particularly Professors Alessandro Gusman and Cecilia Pennacini, for their leadership in driving fieldwork-based research that links academia with community needs. He emphasized that the mission has not only enriched scholarly understanding but also played a role in social dialogue, community engagement, and humanitarian advocacy.
“This partnership transcends academic borders. It contributes to policy development and community cohesion. It shows how research—when rooted in empathy and equity—can improve lives,” he said.
Ambassador Massoni also spotlighted collaborative projects such as those examining migration, refugee experiences, and mobility in East Africa, many of which are supported by the Erasmus+ programme. These joint initiatives, he said, help address pressing social issues through shared academic pathways.
“Such work strengthens mutual comprehension and confronts the complex realities shaping our societies today,” he noted.
Additionally, he highlighted the recent launch of the Strengthening African-Italian Museum Partnerships project, supported by the Italian Agency for Development Cooperation. The initiative aims to digitize and preserve African cultural heritage in collaboration with major Italian and African museums, including the Uganda Museum.
“Italy is proud to support this effort. We see scientific diplomacy and cultural heritage as powerful tools for trust, understanding, and long-term collaboration,” he said.
In closing, Ambassador Massoni expressed gratitude to Makerere University and the wider academic and curatorial teams behind the exhibition. He encouraged guests to view the display not only as a celebration of past work but also as a call to future action.
“Let us continue building together—not only academic bridges—but human ones,” he concluded.
We must train more Archeologists and Anthropologists- Vice Chancellor Prof. Nawangwe
Makerere University Vice Chancellor, Prof. Barnabas Nawangwe hailed universities as key agents of peacebuilding and intercultural dialogue, emphasizing their critical role in advancing global understanding amid rising geopolitical tensions.
Prof. Nawangwe praised the longstanding collaboration between Makerere University and Italian institutions, calling it a shining example of how academic partnerships can foster peace and mutual respect.
“Universities are the best engines for promoting peace in the world. There is no better institution than a university to bring people and cultures together,” Prof. Nawangwe asserted.
Reflecting on historical ties, Nawangwe recalled the substantial support Makerere received from the Italian government during the 1987 donor conference, particularly in reviving the Faculty of Technology. He noted that the impact of such partnerships goes beyond infrastructure and education, contributing to nation-building and lasting international friendships.
“I personally benefited from those exchanges. I lived in Italy for a month, studied the language, and engaged with Italian culture. These interactions create lifelong connections,” he said.
He pointed to Makerere‘s global footprint as a leading research institution, recently ranked by Times Higher Education as the most collaborative university in the world, based on international research partnerships.
“At Makerere, we have more researchers publishing with colleagues from other universities than anywhere else. This collaborative spirit reflects our belief in academic diplomacy as a force for development,” he explained.
Prof. Nawangwe highlighted the university’s particularly strong ties with Italy, noting that most of its Erasmus+ academic exchange agreements are with Italian institutions. He attributed this to the deep-rooted friendship between Uganda and Italy, with Makerere acting as “Uganda compressed in one place.”
Praising the exhibition’s vivid portrayal of East and Central African cultural heritage through photography, Nawangwe called visual documentation one of the most powerful tools for preserving and communicating knowledge.
“A photographic illustration is the strongest kind of evidence. It stays with you. What I saw today helped bring to life things I’ve only read or heard about,” he said.
The Vice Chancellor also expressed concern over the limited development of disciplines like archaeology in Uganda, describing it as “a shame” that the country only recently graduated its first archaeologist.
“With all our cultural diversity and historical wealth, how can archaeology be new in Uganda? We must train more archaeologists and anthropologists to study our own heritage,” he urged.
He concluded by encouraging scholars to remain committed to cultural research and international collaboration, thanking the Italian Embassy for its continued support in fostering ties between Uganda and Italy.
“We must keep walking in our pursuit of knowledge, peace, and progress for Uganda and the world,” Nawangwe said, in his characteristic blend of seriousness and humor.
Nkabala Calls for Introduction of Italian Language at Makerere to Deepen Cultural Connections
Associate Professor Helen Nambalirwa Nkabala, Principal of the College of Humanities and Social Sciences (CHUSS), called for the introduction of Italian language instruction at the university as a strategic step in strengthening cultural and academic ties between Uganda and Italy.
Prof. Nkabala emphasized the importance of language in fostering deeper intercultural understanding and advancing the university’s global engagement agenda.
“In addition to what is already happening, we’d like to invite you to the School of Languages, Literature, and Communication so that we can start teaching Italian at Makerere University. When we talk about connecting cultures, issues of poetry come in,” Nkabala said.
The principal highlighted the longstanding relationship between Makerere University and Italian academic institutions, referencing ongoing collaborations with the University of Turin, the European Academy of Religion, and new engagements with Sapienza University of Rome. She also acknowledged support from Italian scholars such as Prof. Alessandro Gusman and Prof. Cecilia Pennacini.
“Friends, today is testimony that the College of Humanities and Social Sciences will use all that is within its means to change the narrative,” she said, referring to the exhibition as a powerful demonstration of the college’s research impact and cultural outreach.
Prof. Nkabala praised Makerere’s deans, heads of departments, and academic staff for their collective efforts in organizing the exhibition, and extended special appreciation to the Italian Embassy in Kampala for its continued logistical and visa support, which has enabled seamless academic exchange.
“Our academics never get problems because you have a very dynamic team. We thank you very much for allowing them the opportunity to support us when we need it,” she noted, addressing Italian Ambassador Mauro Massoni directly.
She also paid tribute to predecessors, including Prof. Josephine Ahikire and the former Principal Prof. Edward Kirumira, for their role in laying the foundation for enduring academic partnerships between Uganda and Italy.
As the College of Humanities and Social Sciences continues to expand its international footprint, Nkabala urged faculty and students to remain committed to collaboration and participation in future joint initiatives.
“Colleagues, I call upon you to be present when called upon,” she said, reaffirming CHUSS’ dedication to cultural diplomacy through research, language, and the arts.
Africa Offers the World Wisdom and Science—Prof. Pennacini Urges New Era of Equal Academic Partnerships
Professor Cecilia Pennacini, former Director of the Italian Ethnographic Mission in the Great Lakes Region called for a paradigm shift in Africanist research and cultural cooperation, asserting that Africa offers the world invaluable wisdom, philosophy, and science.
Prof. Pennacini emphasized that Italian scholars came to Africa “not to teach, but to learn.”
“The ancient civilizations of Africa have so much to teach the Western world—in terms of knowledge, wisdom, philosophy, politics, even science and art,” she said. “This is why our mission has always been grounded in humility and mutual respect.”
Prof. Pennacini reflected on the foundational vision of the Italian Ethnographic Mission, established by her mentor, Prof. Francesco Remotti, who advocated for fieldwork rooted in cultural dialogue rather than colonial paradigms of knowledge extraction.
Upon assuming leadership of the Mission in 2005, Pennacini prioritized creating equal academic partnerships. She credited this approach with the establishment of a formal collaboration with Makerere University, which has since flourished through joint research, teaching exchanges, and mobility programs funded by the European Union’s Erasmus+ initiative.
“We have grown together—building common knowledge and hopefully laying foundations for future generations,” she noted.
Prof. Pennacini also announced a major new initiative aimed at transforming museum practice and cultural preservation across Africa and Europe. The project, Strengthening African-Italian Museum Partnerships, is supported by the Italian Agency for International Development Cooperation (AICS) and will connect eight museums—four in Africa and four in Italy.
Participating institutions include the Uganda Museum, the National Museum of Ethiopia, the National Museum of Lubumbashi in the DRC, and the Ethnographic Museum at Addis Ababa University. These will collaborate with the Museum of Civilizations in Rome, the Royal Museums of Turin, the Savoy Residences in Piedmont, and the Anthropology and Ethnography Museum at the University of Turin.
“This project seeks to digitize, catalogue, and valorize ethnological and artistic collections through a participatory approach,” she said. “It will involve local communities, diaspora groups, and civil society as co-creators of museum life.”
Prof. Pennacini stressed the need for museums to be transparent about the provenance of their collections and to embrace inclusive narratives that reflect source communities’ voices. She tied this initiative to Italy’s broader commitment to a redefined model of cooperation inspired by the Mattei Plan for Africa, which promotes non-exploitative, mutually beneficial partnerships.
“Culture must be seen as a fundamental pillar of human development—socially, economically, and intellectually,” she concluded.
Italian Ethnological Mission Celebrates 46 Years of Cultural Research and Partnership in the Great Lakes Region — Prof. Gusman
Professor Alessandro Gusman, Director of the Italian Ethnological Mission in the Great Lakes Region, reaffirmed the mission’s enduring commitment to linking people, cultures, and institutions across national borders through academic and cultural research.
Prof. Gusman described the event as both a celebration and a reflection on 46 years of Italian ethnological research in East Africa, particularly the Great Lakes Region.
“This exhibition retraces the history of our work and celebrates our long-standing collaboration with Makerere University, one of the most esteemed academic institutions in East Africa,” he said.
The Italian Ethnological Mission, founded in 1979 by Prof. Francesco Remotti in what was then Zaire (now the Democratic Republic of Congo), has progressively expanded its research footprint across the region—later including Burundi, Rwanda, Tanzania, and Uganda. It officially began its partnership with Makerere in 2004, a relationship Prof. Gusman said has significantly shaped the mission’s academic trajectory.
“The title Connecting Cultures reflects the mission’s core goal understanding and linking diverse societies through shared anthropological inquiry,” Prof. Gusman noted.
He expressed gratitude to the Italian Embassy in Kampala for its continued support, and to the College of Humanities and Social Sciences (CHUSS) at Makerere University for hosting and nurturing the partnership over two decades.
Special acknowledgment was extended to Prof. Cecilia Pennacini, who led the Mission from 2004 to 2018, for deepening the collaboration with Makerere and expanding research into Uganda. Prof. Gusman emphasized that the Mission’s work has always prioritized cultural continuity and regional interconnectivity through language, social structures, and institutions.
“The photographs and texts featured in this exhibition are the result of decades of collaborative research and dialogue,” he said. “They are not just artifacts—they are bridges between nations, histories, and academic traditions.”
Looking forward, Prof. Gusman expressed hope that the partnership would continue to flourish, enhancing academic prestige and generating lasting societal impact.
“Our hope for the future is that these collaborations will grow deeper, bringing not only recognition to the institutions involved but also creating meaningful change across communities,” he concluded.
Makerere’s Prof. Dipio: Italian Collaboration Brings Cultures and Institutions Closer
Professor Dominic Dipio, Coordinator of the ERASMUS Mobility Program at Makerere University, praised the ongoing academic and cultural partnership between Uganda and Italy, calling it a powerful force for diplomacy and institutional connection.
Prof. Dipio highlighted how collaborative efforts between the University of Turin, Makerere, and the Italian Ethnological Mission in the Great Lakes Region have served to “bring Italy closer to Uganda.”
“Exhibitions like this are important because many Ugandans, especially those shaped by British colonial heritage, know little about Italy. These events narrow that gap,” she said.
The exhibition, organized in partnership with the Italian Embassy in Kampala, builds on a previous one held in 2022. Prof. Dipio lauded the long-standing academic ties facilitated by the European Union’s Erasmus+ program, which has enabled robust student and staff mobility between the two universities since 2016.
“This triangular relationship between the Government of Italy, Erasmus+, and our universities has allowed Makerere students to spend up to ten months in Italy completing their dissertations — a rare opportunity that boosts our PhD completion rates significantly,” he noted.
Prof. Dipio emphasized the critical role of scholars in diplomacy, stating that research and academic exchange naturally weave connections across cultures and borders.
“The work of scholars often goes beyond classrooms and papers. It becomes a means of international dialogue and peacebuilding,” he said.
She also commended the logistical teams from Makerere, the University of Turin, and the Italian Embassy — particularly the visa section — for enabling seamless academic travel.
“Your commitment, your flexibility, and your belief in this partnership have made it thrive. We are grateful,” Dipio said, addressing embassy representatives present.
The exhibition showcases decades of ethnographic research by the Italian mission and emphasizes themes of cultural continuity, social institutions, and intercultural exchange in the Great Lakes region. Prof. Dipio expressed hope that the exhibition panels remain accessible for more students and faculty to benefit from before the academic break.
“We pray this collaboration continues to flourish. It is not just institutional — it is deeply personal. We now call each other by our first names, a sign of the trust and friendship we’ve built,” she concluded.
The Connecting Cultures exhibition is part of a broader movement at Makerere University to internationalize its academic outlook and deepen ties with institutions around the world, especially in the humanities and social sciences.
Jane Anyango is the Principal Communication Officer CHUSS
Humanities & Social Sciences
Makerere Screens Tuko Pamoja, Scholars Call for Creative Arts to Be Recognized as Research Output
Kampala, Uganda – May 13, 2025
Makerere University on Tuesday screened Tuko Pamoja, a documentary by Dr. Cindy Magara, as part of a wider push by humanities scholars to have creative works recognized as valid academic research output.
The screening, held at the University Main Hall, drew senior university officials, faculty, students, and representatives from national education bodies. The event highlighted growing calls to integrate creative arts into the university’s research and promotion frameworks.
Speaking on behalf of the Dean of the School of Languages, Literature and Communication, Dr. Levis Mugumya emphasized that creative works such as documentaries should be formally considered during academic staff promotions.
“Creative art should be considered as input that contributes to staff promotion,” Mugumya said. “We need to rethink what counts as academic output.”
Tuko Pamoja—Swahili for We Are One—is a docuseries exploring Uganda’s ethnic diversity and shared historical experiences prior to colonial nation-state formation. Dr. Magara, a literature scholar and filmmaker, was praised for creating a culturally significant work that transcends traditional academic formats.
“This is a great tool for promoting patriotism. It contributes to national development and deepens our understanding of ethnicity and nationhood in Uganda,” Mugumya added.
The event was officiated by Professor Mukadasi Buyinza, who represented Vice Chancellor Barnabas Nawangwe. In his speech, Buyinza reiterated Makerere’s commitment to supporting research in the creative arts.
“We cannot promote research only in the STEM disciplines. Resilient communities need a sense of humanity—and creative arts are central to that,” said Buyinza. “Film-making and research are expensive, and we must find partners to support such initiatives.”
He also called for greater collaboration among faculty and students to promote and disseminate creative research outputs like Tuko Pamoja.
Associate Professor Helen Nkabala, Principal of CHUSS, stressed the importance of storytelling in shaping national consciousness and academic relevance.
“At the College of Humanities, we are telling you that we need to unite to tell our story if we are to make meaning to our communities,” she said. “This film shows how humanities research can be innovative, relevant, and impactful.”
Dr. Magara, a former student in the department, was commended by senior colleagues for bridging academic and artistic expression. The event follows a recent management dialogue on the role of humanities in nation-building.
“We need events like this to remind us who we are,” Buyinza concluded. “Unity is not given—it is built through conscious effort and shared history.”
Dr. Cindy Magara Traces Journey from Classroom to Cinema with Launch of Tuko Pamoja Docuseries
Dr. Cindy Evelyn Magara, a literature scholar and pioneering filmmaker recounted her two-decade journey into film-making at Makerere University during the screening of her latest documentary project, Tuko Pamoja. The event was part of a broader discussion on the role of creative arts in academia.
Dr. Magara shared her evolution from a student in Uganda’s first film studies class in 2005 to becoming one of the country’s most recognized female filmmakers. She credited her start to Professor Sister Dominic Dipio, who introduced artesian cinema at Makerere University.
“If it wasn’t for Sister Dipio, possibly I wouldn’t be here. I wouldn’t be a filmmaker,” Magara said. “From the time I made my first film, I knew that was going to be my career path.”
After graduating in 2006, Magara founded Nyati Motion Pictures, a production company named after her clan totem—Mbogo (buffalo). Her first film, Fate, became a historic milestone as the first Ugandan film screened at Cineplex Cinemas and aired on Africa Magic.
She went on to direct Fair Play, an EU-funded project, and Windows of Hope, before pausing her film career to pursue advanced academic studies. “I had to juggle marriage, motherhood, and a master’s degree,” she explained. With mentorship from Professors Susan Kiguli and Dipio, she transitioned into academia and later earned a PhD.
After completing her studies, Magara returned to filmmaking with Tuko Pamoja (Swahili for We Are One), a 13-part documentary series exploring Uganda’s pre-colonial ethnic unity and shared cultural heritage. The project blends various documentary techniques—observation, exposition, interaction, and reflection.
“The documentary seeks to foster cohesion by examining our interconnected past,” she said. “If we were relating together, then we were one.”
Magara revealed that the idea for the series was inspired by the political intrigue of Game of Thrones, likening Uganda’s 19th-century power dynamics—particularly involving historical figures like Kabalega and Mwanga—to an epic African saga.
Originally intended as a single short film to attract funding for a full-length feature, the project evolved into a full series following extensive community research. Magara interviewed historians, cultural leaders, and opinion makers across Uganda. “This became my classroom,” she noted. “I learned so much—I think the Department of History should give me an honorary PhD.”
Tuko Pamoja was premiered in the very communities where the research was conducted, receiving support from local media houses and sponsors. Magara credited UBC, NBS, and Vision Group for providing extensive free media coverage. “UBC told me, ‘We are sorry you’re doing what we should have done long ago,’” she recalled.
The series, currently accessible via nyatimotionpictures.com and the upcoming Nyatiflix app, has also generated academic interest, prompting calls to recognize such creative works as legitimate research outputs.
“We must think of film not only as an art but as research and business,” Magara emphasized. “Film is the evening class. If we fail to tell our stories, someone else will do it for us.”
Magara expressed gratitude to her mentors, students, sponsors, and family—including her husband, who helped finance the production. Plans are underway for wider distribution on local television stations and digital platforms.
As the event concluded, Magara left a message for aspiring creatives: “Film is powerful. It’s how we entertain, educate, and decolonize the screen.”
“Lighting the Screen: A Story of Art, Identity, and Nation”
“We need to cultivate an audience. We need to teach our people that consuming art is not luxury—it is culture. It is growth.” Prof. Sr. Dipio Dominica
It was a warm afternoon, and the hall was alive with quiet anticipation. At the front sat three figures who had long walked the corridors of Uganda’s most prestigious institution—each one a torchbearer in the creative arts. Professor Abasi Kiyimba, long known for his eloquence and firm grasp of literature, stood to open the conversation. His voice, familiar and thoughtful, welcomed the audience into a dialogue not just about film, but about the soul of a nation.
“In the Department of Literature,” he began, “we’ve always believed in crossing boundaries. We have mothered other departments—film, drama, music. And now, here we are, watching Uganda retell herself through the lens of the camera.”
He turned to Professor Dominica Dipio, a former student of his who had become a pioneer in Ugandan film. With a soft smile, he asked, “At what point did you realize that film had to be added to the menu of your literary journey?”
Professor Dipio’s response was part memory, part reflection. She traced her path back to the Pontifical Gregorian University in Rome, where she had gone to study literature. But to her surprise, there was no African literature course. Instead, she was nudged by wise Jesuit professors toward film—a medium they described as an art form closely tied to literature.
“It made sense,” she said. “Storytelling is at the heart of both. Writing with a camera—this is what film allows us to do. It was as though I had been prepared for this all along.”
When she returned to Uganda, she found a generation of students hungry for a new kind of expression. They weren’t waiting to be told what to do. They were already calling themselves filmmakers.
“I had taught them just the basics,” she chuckled, “and they were already making films and introducing themselves as directors. I thought, ‘Please, let’s be humble.’ But inside, I was proud. They had vision.”
From there, Makerere’s halls began to echo not only with poetry and novels but with the buzz of editing software, the click of cameras, and scripts written in digital ink. Film festivals like Maisha, Amakula, and Zanzibar became essential spaces of collaboration. The National Theatre turned into a second campus.
And sitting beside Dipio was another creative soul with his own journey—Dr. Milton Wabyona, a man who had nearly disappeared from the education system.
“I’m a school dropout,” he confessed quietly. “Few people know that. I was studying physics, economics, and math. But I couldn’t pay fees.”
It was music—specifically a dance troupe—that pulled him back. A woman named Dr. Jessica Kawa recognized his talent and gave him a chance.
“I told her, ‘I don’t care what I study. I just want to go back to school.’ That’s how I entered the creative arts.”
Music, he argued, is more than melody. It teaches collaboration, humanity, and interdependence.
“No matter how gifted I am, I can’t sing harmony alone,” he said. “I need others.”
He quoted Plato, reminding the room that the arts were once central to shaping good citizens and preserving culture. The arts, he said, are not just subjects—they are the soul of education.
As the discussion deepened, Prof. Kiyimba asked a profound question: What is this film we just watched? Is it literature? History? Art?
Professor Dipio leaned back and explained that film, as the “seventh art,” gathers all other forms—literature, painting, music, theatre, sculpture—and weaves them into one cohesive experience. She invoked Aristotle to explain how literature and history are both rooted in reality, but art reshapes that reality, making us see it anew.
“Film is a representation,” she said. “It tells history not by simply stating facts, but by shaping them, giving them voice and character.”
Characters like Queen, Mwanga, Kabelega, and others in the film weren’t just historical names—they had become people with motivations, fears, and contradictions. That was the power of art.
Then Dr. Wabyona took the floor once more.
“Music speaks in ways plain words never can,” he said. “You don’t need to understand Lingala to dance to Congolese music. That’s how powerful rhythm and pitch are.”
But behind the excitement lay a persistent concern—money. Could Ugandan cinema be self-sustaining?
Dipio paused before answering. She didn’t sugarcoat it.
“We are not yet consuming enough art,” she said. “We don’t have the culture of going to the cinema like in Burkina Faso, where the whole country stops for the FESPACO film festival.”
Comedy, she admitted, was one area where Ugandans paid. But serious artistic films struggled.
“We need to cultivate an audience. We need to teach our people that consuming art is not luxury—it is culture. It is growth.”
Wabyona agreed. He shared how many Ugandan productions, like Ndere Troupe, offer free shows, yet the audiences are overwhelmingly foreign.
“When your own people don’t show up,” he said, “you begin to understand the kind of crisis we’re in.”
Then, quietly, the conversation turned to the political dangers of art.
“Have you ever censored yourself?” Kiyimba asked Dipio.
She smiled.
“So far, my films have been harmless. But make no mistake—art is political. Even saying it’s not political is a political act.”
She quoted a colleague: “Art disturbs.” And that’s what makes it powerful—and dangerous.
“Where the state seeks to unify, art challenges. It asks hard questions. It stirs the water.”
And yet, art also carries hope.
As the discussion ended, the audience was left with a simple but profound idea: A society can be judged by the art it consumes. In that sense, the future of Uganda’s creative arts isn’t just about budgets, scripts, or shows—it’s about whether its people choose to see themselves on the screen, in the music, in the dance, in the story.
And that choice, perhaps, is the most powerful act of all.
Jane Anyango is the Principal Communication Officer, CHUSS
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