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Of Oracy, Orature, Textology and Clapping Chairs

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The organizers of the Public Dialogue on Literature had promised that the event would give a rare and valuable platform to two important, respected and celebrated East African scholars with long and glorious careers in the world of letters to share with the public. This message seems to have singularly struck home with the audience for by 2:00pm on Friday 4th April 2014; almost every seat in the Main Hall, Makerere University had already been taken up. And just like a seasoned stage-manager, the man tasked with keeping the audience guessing, Dr. Danson Kahyana kept engaging them, all the while checking to see that all was set for the day’s event until finally, in they walked; the larger than life figures whose literary reputation preceded their every step, led by the Principal College of Humanities and Social Sciences (CHUSS), Professor Edward Kirumira.

To the casual observer whose judgment is solely based appearance, they looked harmless, too normal, too humble and overly courteous as they made rounds shaking hands with as many old friends as they could reach. Could these surely be the men of whom all those moving tales and fables had been penned? Could these two gentlemen we were even a little hesitant to take up their places at the high table truly be the famous duo of Professor Arthur Gakwandi and Mwalimu Austin Bukenya?

All this doubt were instantly dispatched the moment Dr. Susan Kiguli, Head of the Literature Department, CHUSS took to the podium and began sharing some decadal anecdotes. Of a Scholar in the 1970s; Professor Ali Mazrui, whose presentations on political science would leave even the chairs in the Main Hall clapping; of two Professors – one a fire-spiting socialist by the name of Mahmood Mamdani and another a consuming capitalist by the name of Apolo Nsibambi who in the 1980s held the Makerere audiences at ransom with their debates; and of a Professor by the name of Okot p’Bitek who would awaken all sleeping interest by dancing atop tables and playing his nanga (harp). By this time, the audience that was literally eating out of her palm was further spellbound by her narrations on discovering the life form of these legends, on joining Makerere as an undergraduate student.

“Professor Wangusa, who quoted T.S. Eliot like he was his next of kin…Professor Rubadiri, who was under the impression that all 150 students attending his class were registered for it, only to discover at the time of coursework that 100 of those had come to hear him pour forth poetry…” said Dr. Kiguli, further captivating her audience. She paid tribute to the day’s speakers for “coming back home” and to the Office of the Deputy Vice Chancellor (Academic Affairs) for sponsoring the day’s Public Dialogue.

Dr. Aaron Mushengyezi, the Dean, School of Languages, Literature and Communication, CHUSS then welcomed the academic twins; in reference to both of the Speakers who recently turned 70, to Makerere. He then paid personal tributes to Prof. Arthur Gakwandi who in 1992 signed his academic life certificate by endorsing his registration for a “forbidden” combination of subjects on the BA programme and to Mwalimu Austin Bukenya for the mentorship he accorded him during his early days as an academic staff. “The values that these two eminent Professors exhibited to me were their humility and simplicity [which values are unmistakable] even as you look at them today” he added.

L-R (Front Row): Prof. Theo Luzuka, Dr. Susan Kiguli, Dr Ernest Okello Ogwang, Prof. Edward Kirumira and Dr. Aaron Mushengyezi. Public Dialogue on Literature, Department of Literature, School of Languages, Literature and Communication, CHUSS, 4th April 2014, Main Hall, Makerere University, Kampala Uganda.
L-R (Front Row): Prof. Theo Luzuka, Dr. Susan Kiguli, Dr Ernest Okello Ogwang, Prof. Edward Kirumira and Dr. Aaron Mushengyezi.

The College of Humanities and Social Sciences is the cradle of the Arts in Makerere University. As such, the Principal, Prof. Edward Kirumira could not hold back his pride as he warmly welcomed back his own. “We appreciate the time that our two Speakers are putting aside to come back and do what they are supposed to do; to mentor us and tell us that before we get to their age, we must continue to share our knowledge,” said Prof. Kirumira.

He encouraged the audience to borrow a leaf from the day’s Speakers by reflecting upon how they had used their respective lives and opportunities to make a lasting impression on society. Prof. Kirumira then challenged the staff to always ensure that they have mentored their younger colleagues to carry on with the great work when that time to retire finally comes knocking.

With the day’s formalities complete, it was now time for the Chairperson to take the Public Dialogue to the next level. This was the moment that the audience had eagerly anticipated all day and it was up to Prof. Abasi Kiyimba to deliver. His choice to initiate by first of all reminding everyone of the day’s topic: Literature and the Crisis in the Humanities was simple but artful. He then proceeded to impress it upon the audience that they each had a role to play beyond the day’s dialogue in as far as coming up with a solution to the crisis. Nevertheless as the Deputy Principal, CHUSS in an era where the voice of Humanities is being drowned out by the Sciences debate, he took this opportunity to make his case, “Occasions like these are our opportunity to demonstrate that we have ideas that can build this country,” and turning to the day’s Speakers, he dropped the gauntlet “speak about your vision of society and the role of literature.”

Dr. Ernest Okello Ogwang. First Deputy Vice Chancellor, Academic Affairs. Public Dialogue on Literature, Department of Literature, School of Languages, Literature and Communication, CHUSS, 4th April 2014, Main Hall, Makerere University, Kampala Uganda.
Dr. Ernest Okello Ogwang. First Deputy Vice Chancellor, Academic Affairs.

First up was Professor Arthur Gakwandi who spoke in a moderate but deliberate tone, true to his diplomatic background. After thanking the organizers for the great honour and opportunity to speak to the public, he quickly drew first blood with his statement, “The Humanities are not in a crisis.

“With ears in the audience peaking higher and increased activity as sitting positions were readjusted, Prof. Gakwandi went on to defend his stance by noting that crises speak of danger that comes with an element of surprise leaving the parties only a short time to decide on a course of action. He further noted that since the present state of affairs has been with us for well over a decade, the crisis attribute was therefore unjustifiable. He further backed this up with the existence of books on the subject like Crisis in the Humanities by J.H. Plumb first published in 1964, almost 50 years ago.

“Humanities are not in a crisis, they are facing challenges. They have faced challenges before and they should stand up and look forward with confidence because the contribution to society that they make is likely to remain important,” emphasized Prof. Gakwandi. He then went on to quote his late Professor of Literature, David Cook’s inaugural public lecture in the Main Hall in 1971

“An advanced study of Literature equips a student to think widely, deeply and flexibly on all human affairs and means of expression and is therefore an appropriate intellectual basis for professional men and women in many fields of public service”

Reflecting on the works of Matthew Arnold a British poet and cultural critic, Prof. Gakwandi noted that Literature had a role to play as a vital ingredient in society “Literature embodies values, interprets experience and makes the mind more imaginative, and therefore is valuable not only for those who study it but also for those who read it for pleasure… even if you are a scientist, you can share something from literature by reading and it will save you from some more vulgar forms of entertainment,” he counseled.

A fresh retiree from Makerere University, Prof. Gakwandi appreciated the important foundation that his background in Literature training laid for his 15 years of Diplomatic service. He also noted that he had seen many of his former students taken on roles of responsibility in many other fields such as politics and the media, especially as Chief Editors, “many of these people have risen to the top thus vindicating their Education in Literature at Makerere,” he substantiated.

Prof. Edward Kirumira. The Principal, College of Humanities and Social Sciences. Public Dialogue on Literature, Department of Literature, School of Languages, Literature and Communication, CHUSS, 4th April 2014, Main Hall, Makerere University, Kampala Uganda, East Africa.
Prof. Edward Kirumira. The Principal, College of Humanities and Social Sciences.

As he concluded his submission, Prof. Gakwandi however warned that the Teachers of Literature ought to adapt their styles to the changing times and circumstances in our society, “I am especially thinking about the influence of bad journalism, facebook, twitter and social media on the way we speak and write.” Prof. Gakwandi also warned on the tendency of compartmentalizing the various disciplines in the Arts to the exclusion of others, “We need to see more interdisciplinarity because whether you study History or Political Science or Literature, you are studying the same society from different perspectives,” further adding that “I think we ought to borrow a little more from each other, teachers of language should use literary text to teach language and Lecturers in Literature should pay more attention to Language Communication skills and courses should be offered across the boundaries of these disciplines and that is when we shall move forward in promoting the values of the Humanities,” said Prof. Gakwandi in ending.

Next up was Mwalimu Austin Bukenya, a leading authority on Oracy and African Orature who straight away paid tribute to his training at the University of Dar-es-salaam by addressing the gathering in Kiswahili. He then commended the audience for “voting with their feet for Literature” by turning up in overwhelming numbers. Mwalimu Bukenya proposed that the Public Dialogue be dedicated to a literary colleague Prof. Christopher Lukorito Wanjala who was celebrating his 70th birthday on that day. He further emphasized that although the Public Dialogue had been organized as a way of bidding the Professors farewell, he preferred that the Swahili ni kwaheri ya kuonana (until the next time) reference be used instead of the academic parlance reference of valedictory lectures.

In a bid put an end to the “backward and primitive way of referring to Literature as quoting Shakespeare to one another”, Professor Bukenya or Mwalimu is he’s fondly known in the literary circles put forth four definitions of Literature as: i) a form of artistic communication using language as its medium, the artistic bit fusing observation, imagination and precise distinctive expression – literature is iconic, it calls attention to itself; ii) texts – anything that is written – literate e.g. Mathematical literature. There also exist oral/orate/unwritten texts that come from oracy (the skill of the spoken word) and orature (the creativity of the spoken word); iii) in broader modern literature – anything that signifies e.g. the clothes one wears and their implication hence 

Dr. Aaron Mushengyezi. The Dean, School of Languages, Literature and Communication. Public Dialogue on Literature, Department of Literature, School of Languages, Literature and Communication, CHUSS, 4th April 2014, Main Hall, Makerere University, Kampala Uganda, East Africa.
Dr. Aaron Mushengyezi. The Dean, School of Languages, Literature and Communication.

Mwalimu however sought to clearly point out that by the Humanities being in a crisis; they are in a state of concern, “That crisis is a false positing of Arts versus Sciences. That has created a state of crisis. Can we really say it is either Arts or Sciences?” pondered Prof. Bukenya. He further noted that the policy makers have over the years been gradually diminishing almost to negligible levels the sponsorship of students in the arts, “It is not only the funding that is going down but also the public pronouncements on the same,” Prof. Bukenya further added terms like appropriate dressing and iv) concerned with the studying of all texts in their signifying modes which pertains to textology (using texts as communicating systems to uncover and describe grammar) and one of Mwalimu’s coining of the day testectics (the mechanics of the word/text)

He noted that this has driven the teachers of the Arts so hard against the wall that even the mode of teaching has changed. “People seem to be so thoroughly concerned with just learning things and writing exams that our effectiveness has become questionable, especially in the areas of language and literature,” lamented Mwalimu. He noted that this teaching has led to students being exam-oriented which leads to conclusions like our graduates are unemployable.

Prof. Arthur Gakwandi (L) and Prof. Abasi Kiyimba, Deputy Principal, CHUSS (R). Public Dialogue on Literature, Department of Literature, School of Languages, Literature and Communication, CHUSS, 4th April 2014, Main Hall, Makerere University, Kampala Uganda, East Africa.
Prof. Arthur Gakwandi (L) and Prof. Abasi Kiyimba, Deputy Principal, CHUSS (R).

Prof. Bukenya stressed the need to continue prioritizing the Humanities as they are those activities and studies that are primarily concerned with human relationships. “What I propose is that we should have both Sciences and Humanities. This comes from a theory in Literature – to deconstruct which does not seek to destroy but instead break up and rearrange,” he elaborated, further adding that “We cannot afford to have a person today who is purely a Humanist without a Science competence or else we are developing an articulate caveman. Equally importantly, we cannot have a Scientist who is purely a whiz in chemical formulae without a human side otherwise he will be just a robot.”

He further reiterated the notion that Literature is the most humane of the humanities because it deals with human relationships and as such can used to best illustrate their importance. Mwalimu sought to give the audience a deeper appreciation of his field by speaking about Literature as phatic communion as is the reference in advanced literary theory. This communion he said goes beyond simply making a connection through speech but going further to establish and maintain a relationship. “When someone says how are you or wasuze otya, it is not because they want you to describe exactly what bed you slept in but they are establishing a relationship and trying to maintain that relationship,” elaborated Prof. Bukenya.

He then delved into other branches of Literature like para-literature pertaining to films and songs further noting that, “People cannot do without these, and you have to ask yourself why? This all points to the phatic communion that makes us empathise and symphatise with our fellow human beings,” he explained. As a demonstration of phatic communion, Mwalimu then recited his Swahili translation of The Lonely Soul a poem written by a West African poet. He then sought to further dispel the unjustified generalizations that people in the Humanities do not create jobs.

Treading ever so lightly, Mwalimu then gave the Faith Industry; the fastest growing industry in the country today as a valid example, “I cannot say everyday but we can be sure that every week a new Church is coming up in Uganda. You cannot say that Churches are not job creators. Wherever you have a Church, you have a Pastor, Assistant Pastor, Choir Members, Counsellors, Intercessors and so on… the question we then ask is if you deny a person who seeks to study Religious Study sponsorship, who is going to professionally run those Churches? How many have got trained scriptural scholars, theologians and so on? No wonder we keep saying if we have so many Churches, why then do we have so many thieves or so much corruption? Is it because the Churches are not run by professionally competent people? We could do the same in Music Dance and Drama, how many professionals do we have?” Mwalimu questioned as the audience struggled to contain themselves.

A Secondary School Student poses a question about a book Prof. Bukenya authored. Public Dialogue on Literature, Department of Literature, School of Languages, Literature and Communication, CHUSS, 4th April 2014, Main Hall, Makerere University, Kampala Uganda, East Africa.
A Secondary School Student poses a question about a book Prof. Bukenya authored.

He also touched on the distorted expectation of the university, noting that “A University is supposed to educate people. It is not a technical school. This is the mistake we make when we swallow up our polytechnics and make them universities,” lamented Prof. Bukenya as the audience stomped their feet. “People who want to acquire technical skills should go to technical institutions not universities. The university is a training place for thinking people, creative people, and imaginative people and maybe we should think of restructuring our education system to make our first degree more generalized to create an educated person who can then go on to technical training. This is just what we are trying to do when we train Literature. We have various specific theories of Textology where we use the speech act theory which consists of Elocution – what we utter, Illocution – what we intend and Perlocution – what you achieve. The literature person is a trained individual who can perform many duties and the demand is there,” elucidated Prof. Bukenya.

He thanked the audience for their patience and was confident that this event was only just the beginning “I am sure that we are only initiating the dialogue and I hope that it will continue” he summed up.As he brought his presentation to a close Mwalimu cautioned the audience to guard against the sinister intentions of international sponsors who are urging Governments to train Scientists and forget the Arts, “Because they know they can create their hordes of scientists and recolonise us, what we call ukoloni mamboleo [neocolonialism] because those people that go [solely] into technical things will have the ‘technical know-who’ but lack the ‘technical know-why’ to ask provocative questions,” preached Mwalimu. “It is only the political scientist who is going to ask those questions and it is not in their interest to cater for our culture, for critical people who will ask questions and we’ll be a damned generations which cannot ask questions and we need to guard against that,” added Mwalimu.

The debate then shifted to the floor where members of the audience were given the chance to ask related questions that ranged from the inspiration behind some of the Speakers’ publications to why Literature was glaringly absent from the modern day homes in all its forms. In their responses the Speakers challenged the audience to derive their own meanings from the publications as is the true spirit of literature, “Trust the tale, not the artist and books don’t have meaning save for the meaning you derive out of them” were some of the words of wisdom dispensed by both Speakers. They also challenged the audience to reintroduce literature in all its forms back into their homes, “Wherever there is a bottle of beer, there should be a bookcase, and we should make books a part of our lives.”

Sr. Dr. Dominic Dipio, Associate Professor of Literature gives a vote of thanks. Public Dialogue on Literature, Department of Literature, School of Languages, Literature and Communication, CHUSS, 4th April 2014, Main Hall, Makerere University, Kampala Uganda, East Africa.
Sr. Dr. Dominic Dipio, Associate Professor of Literature gives a vote of thanks.

In his closing remarks, the Deputy Vice Chancellor (Academic Affairs), Dr. Ernest Okello Ogwang, himself an Associate Professor of Literature and accomplished publisher, profusely thanked the Day’s Speakers Prof. Bukenya, Prof. Gakwandi as well as the session Chairman Prof. Kiyimba for ably illustrating that literary culture has played and will continue to play a prominent role in shaping the East African region. He also thanked his three aforementioned mentors for the wonderful set of words of wisdom that were delivered in the true spirit of orature.

He however challenged the audience to ride on the spark that the dialogue had ignited, “There is some kind of crisis in the Humanities but it must not be defined for us by others. What is our role in this crisis? Can we reconfigure it for the good of the younger people?” the DVC-AA asked the audience, before summarily adding “I think so.”

In moving a vote of thanks to the day’s speakers and indeed to everyone present, Sr. Dr. Dominic Dipio, Associate Professor of Literature, CHUSS acknowledged the respective contributions to the success of the Literature Public Dialogue by the Deputy Vice Chancellor (Academic Affairs), Dr. Ernest Okello Ogwang, the Principal CHUSS, Prof. Edward Kirumira, the Dean School of Languages Literature and Communication, Dr. Aaron Mushengyezi, the Head, Literature Department, Dr. Susan Kiguli as well as all members of the organizing committee. She further appreciated that the Humanities were steadily coming to the fore of the University leadership and hoped that this would help reinforce their importance to society. Sr. Dr. Dipio then commended the Speakers Prof. Arthur Gakwandi and Mwalimu Austin Bukenya for elaborately handling the day’s topic and continuing to keep the Literature torch aflame through their continued and mentorship and involvement in the literary circles.

Assoc. Prof. Okello Ogwang then took this opportunity to recognize other legendary names in the literary circles like Prof. Ruth Mukama and Prof. Theo Luzuka and acknowledge their respective contributions to mentoring writers in the Department of Literature, Makerere University and beyond.

Article and Pictures by Public Relations Office

Special thanks to @nyanaKakoma

Mark Wamai

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Advert: Application for Additional Undergraduate Programmes 2025/26

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The Academic Registrar, Makerere University invites applications from Ugandan, East African, and international applicants for the undergraduate programmes under the private sponsorship scheme for the 2025/2026 Academic Year.

The following Programmes have been added:

  • Bachelor of Science in Computer and Communications Engineering (CCE)
  • Bachelor of Social Sciences (Day and Evening)

Other relevant information can be obtained from UNDERGRADUATE ADMISSIONS OFFICE, LEVEL 3, SENATE BUILDING OR CAN BE found on the University Website https://www.mak.ac.ug.

How to submit your application                                            

  1. Applicants should access the Institution’s Admissions URL https://apply.mak.ac.ug/
  2. Sign up by clicking on the REGISTER NOW. Use your full name, e-mail and Mobile No.  Please note that your name must be similar to the one on your supporting academic documents for your application to be considered valid.
  3. A password will be sent to you on your mobile phone and email.                                      
  4. The system will prompt you to change the password to the one you can easily remember.
  5. To fill an application form, click on the APPLY NOW button displayed on the appropriate running scheme.                                              
  6. Obtain a payment reference number by clicking on “Pay for Form” Button
  7. Make a payment at any of the banks used by Uganda Revenue Authority                                            

MOBILE MONEY PAYMENT STEPS:                                                 

  1. Dial *272*6# on either MTN or Airtel                                                             
  2. Select option 3-Admission                                                     
  3. Select option 3-Pay Fees
  4. Enter reference number obtained from Application portal 
  5. Details of Application form will be confirmed                                                              
  6. Enter PIN to confirm payment                                                            

The closing date for receiving applications to undergraduate programmes shall be Tuesday 20th May 2025.                                                           

WARNING:                                                             

  1. Applicants are strongly warned against presenting forged or other people’s academic documents to support their applications for admission.  The consequences, if discovered, are very grave indeed.
  2. Do not buy any other documents not originating from the Academic Registrar’s Office.  Those who buy them do so at their own risk. 
  3. The Academic Registrar has not appointed any agent to act on his behalf to solicit for additional funds other than the application fee stated above.    
  4. Applicants are advised to use the right programme names and codes. the university will not be responsible for any wrong information entered in the system by applicants.                                               

Prof. Buyinza Mukadasi
ACADEMIC REGISTRAR

Mak Editor

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Humanities & Social Sciences

Makerere Screens Tuko Pamoja, Scholars Call for Creative Arts to Be Recognized as Research Output

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The MP, Dr. Cindy Magara, Prof. Helen N. Nkabala, Dr. Eve Nabukya and Dr. Levis Mugumya flash Tuko Pamoja symbol in a group photo. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kampala Uganda, East Africa.

Kampala, Uganda – May 13, 2025
Makerere University on Tuesday screened Tuko Pamoja, a documentary by Dr. Cindy Magara, as part of a wider push by humanities scholars to have creative works recognized as valid academic research output.

The screening, held at the University Main Hall, drew senior university officials, faculty, students, and representatives from national education bodies. The event highlighted growing calls to integrate creative arts into the university’s research and promotion frameworks.

Speaking on behalf of the Dean of the School of Languages, Literature and Communication, Dr. Levis Mugumya emphasized that creative works such as documentaries should be formally considered during academic staff promotions.

Prof. Mukadasi Buyinza watching the film. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Prof. Mukadasi Buyinza watching the film.

“Creative art should be considered as input that contributes to staff promotion,” Mugumya said. “We need to rethink what counts as academic output.”

Tuko Pamoja—Swahili for We Are One—is a docuseries exploring Uganda’s ethnic diversity and shared historical experiences prior to colonial nation-state formation. Dr. Magara, a literature scholar and filmmaker, was praised for creating a culturally significant work that transcends traditional academic formats.

“This is a great tool for promoting patriotism. It contributes to national development and deepens our understanding of ethnicity and nationhood in Uganda,” Mugumya added.

Prof. Buyinza Mukadasi representing the Vice Chancellor. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Prof. Buyinza Mukadasi representing the Vice Chancellor.

The event was officiated by Professor Mukadasi Buyinza, who represented Vice Chancellor Barnabas Nawangwe. In his speech, Buyinza reiterated Makerere’s commitment to supporting research in the creative arts.

“We cannot promote research only in the STEM disciplines. Resilient communities need a sense of humanity—and creative arts are central to that,” said Buyinza. “Film-making and research are expensive, and we must find partners to support such initiatives.”

He also called for greater collaboration among faculty and students to promote and disseminate creative research outputs like Tuko Pamoja.

Prof. Buyinza interacts with a Member of Parliament after the film. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Prof. Buyinza interacts with a Member of Parliament after the film.

Associate Professor Helen Nkabala, Principal of CHUSS, stressed the importance of storytelling in shaping national consciousness and academic relevance.

“At the College of Humanities, we are telling you that we need to unite to tell our story if we are to make meaning to our communities,” she said. “This film shows how humanities research can be innovative, relevant, and impactful.”

Dr. Magara, a former student in the department, was commended by senior colleagues for bridging academic and artistic expression. The event follows a recent management dialogue on the role of humanities in nation-building.

Prof. Helen Nambalirwa Nkabala being ushered in by Dr. Cindy Magara. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Prof. Helen Nambalirwa Nkabala being ushered in by Dr. Cindy Magara.

“We need events like this to remind us who we are,” Buyinza concluded. “Unity is not given—it is built through conscious effort and shared history.”

Dr. Cindy Magara Traces Journey from Classroom to Cinema with Launch of Tuko Pamoja Docuseries

Dr. Cindy Evelyn Magara, a literature scholar and pioneering filmmaker recounted her two-decade journey into film-making at Makerere University during the screening of her latest documentary project, Tuko Pamoja. The event was part of a broader discussion on the role of creative arts in academia.

Dr. Magara shared her evolution from a student in Uganda’s first film studies class in 2005 to becoming one of the country’s most recognized female filmmakers. She credited her start to Professor Sister Dominic Dipio, who introduced artesian cinema at Makerere University.

Dr. Cindy Magara making her remarks. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Dr. Cindy Magara making her remarks.

“If it wasn’t for Sister Dipio, possibly I wouldn’t be here. I wouldn’t be a filmmaker,” Magara said. “From the time I made my first film, I knew that was going to be my career path.”

After graduating in 2006, Magara founded Nyati Motion Pictures, a production company named after her clan totem—Mbogo (buffalo). Her first film, Fate, became a historic milestone as the first Ugandan film screened at Cineplex Cinemas and aired on Africa Magic.

She went on to direct Fair Play, an EU-funded project, and Windows of Hope, before pausing her film career to pursue advanced academic studies. “I had to juggle marriage, motherhood, and a master’s degree,” she explained. With mentorship from Professors Susan Kiguli and Dipio, she transitioned into academia and later earned a PhD.

Dr. Cindy Magara flanked by Head of Department of Literature, Dr. Eve Nabulya addressing the audience. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Dr. Cindy Magara flanked by Head of Department of Literature, Dr. Eve Nabulya addressing the audience.

After completing her studies, Magara returned to filmmaking with Tuko Pamoja (Swahili for We Are One), a 13-part documentary series exploring Uganda’s pre-colonial ethnic unity and shared cultural heritage. The project blends various documentary techniques—observation, exposition, interaction, and reflection.

“The documentary seeks to foster cohesion by examining our interconnected past,” she said. “If we were relating together, then we were one.”

Magara revealed that the idea for the series was inspired by the political intrigue of Game of Thrones, likening Uganda’s 19th-century power dynamics—particularly involving historical figures like Kabalega and Mwanga—to an epic African saga.

Dr. Cindy Magara with her students in a group photo after the function. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Dr. Cindy Magara with her students in a group photo after the function.

Originally intended as a single short film to attract funding for a full-length feature, the project evolved into a full series following extensive community research. Magara interviewed historians, cultural leaders, and opinion makers across Uganda. “This became my classroom,” she noted. “I learned so much—I think the Department of History should give me an honorary PhD.”

Tuko Pamoja was premiered in the very communities where the research was conducted, receiving support from local media houses and sponsors. Magara credited UBC, NBS, and Vision Group for providing extensive free media coverage. “UBC told me, ‘We are sorry you’re doing what we should have done long ago,’” she recalled.

The series, currently accessible via nyatimotionpictures.com and the upcoming Nyatiflix app, has also generated academic interest, prompting calls to recognize such creative works as legitimate research outputs.

Film promoters and students join Dr. Cindy Magara, Prof. Helen Nkabala and Prof. Buyinza Mukadasi in a group photo after the function. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Film promoters and students join Dr. Cindy Magara, Prof. Helen Nkabala and Prof. Buyinza Mukadasi in a group photo after the function.

“We must think of film not only as an art but as research and business,” Magara emphasized. “Film is the evening class. If we fail to tell our stories, someone else will do it for us.”

Magara expressed gratitude to her mentors, students, sponsors, and family—including her husband, who helped finance the production. Plans are underway for wider distribution on local television stations and digital platforms.

As the event concluded, Magara left a message for aspiring creatives: “Film is powerful. It’s how we entertain, educate, and decolonize the screen.”

A section of participants attending the screening. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
A section of participants attending the screening.

“Lighting the Screen: A Story of Art, Identity, and Nation”

“We need to cultivate an audience. We need to teach our people that consuming art is not luxury—it is culture. It is growth.” Prof. Sr. Dipio Dominica

It was a warm afternoon, and the hall was alive with quiet anticipation. At the front sat three figures who had long walked the corridors of Uganda’s most prestigious institution—each one a torchbearer in the creative arts. Professor Abasi Kiyimba, long known for his eloquence and firm grasp of literature, stood to open the conversation. His voice, familiar and thoughtful, welcomed the audience into a dialogue not just about film, but about the soul of a nation.

“In the Department of Literature,” he began, “we’ve always believed in crossing boundaries. We have mothered other departments—film, drama, music. And now, here we are, watching Uganda retell herself through the lens of the camera.”

Prof. Abasi Kiyimba moderated the panel discussions. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Prof. Abasi Kiyimba moderated the panel discussions.

He turned to Professor Dominica Dipio, a former student of his who had become a pioneer in Ugandan film. With a soft smile, he asked, “At what point did you realize that film had to be added to the menu of your literary journey?”

Professor Dipio’s response was part memory, part reflection. She traced her path back to the Pontifical Gregorian University in Rome, where she had gone to study literature. But to her surprise, there was no African literature course. Instead, she was nudged by wise Jesuit professors toward film—a medium they described as an art form closely tied to literature.

“It made sense,” she said. “Storytelling is at the heart of both. Writing with a camera—this is what film allows us to do. It was as though I had been prepared for this all along.”

When she returned to Uganda, she found a generation of students hungry for a new kind of expression. They weren’t waiting to be told what to do. They were already calling themselves filmmakers.

“I had taught them just the basics,” she chuckled, “and they were already making films and introducing themselves as directors. I thought, ‘Please, let’s be humble.’ But inside, I was proud. They had vision.”

Prof. Dipio Dominica contributing to the discussion. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Prof. Dipio Dominica contributing to the discussion.

From there, Makerere’s halls began to echo not only with poetry and novels but with the buzz of editing software, the click of cameras, and scripts written in digital ink. Film festivals like Maisha, Amakula, and Zanzibar became essential spaces of collaboration. The National Theatre turned into a second campus.

And sitting beside Dipio was another creative soul with his own journey—Dr. Milton Wabyona, a man who had nearly disappeared from the education system.

“I’m a school dropout,” he confessed quietly. “Few people know that. I was studying physics, economics, and math. But I couldn’t pay fees.”

It was music—specifically a dance troupe—that pulled him back. A woman named Dr. Jessica Kawa recognized his talent and gave him a chance.

“I told her, ‘I don’t care what I study. I just want to go back to school.’ That’s how I entered the creative arts.”

Prof. Abasi Kiyimba, Prof. Dipio Dominica and Dr. Milton Wabyona during the discussion. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Prof. Abasi Kiyimba, Prof. Dipio Dominica and Dr. Milton Wabyona during the discussion.

Music, he argued, is more than melody. It teaches collaboration, humanity, and interdependence.

“No matter how gifted I am, I can’t sing harmony alone,” he said. “I need others.”

He quoted Plato, reminding the room that the arts were once central to shaping good citizens and preserving culture. The arts, he said, are not just subjects—they are the soul of education.

As the discussion deepened, Prof. Kiyimba asked a profound question: What is this film we just watched? Is it literature? History? Art?

Professor Dipio leaned back and explained that film, as the “seventh art,” gathers all other forms—literature, painting, music, theatre, sculpture—and weaves them into one cohesive experience. She invoked Aristotle to explain how literature and history are both rooted in reality, but art reshapes that reality, making us see it anew.

“Film is a representation,” she said. “It tells history not by simply stating facts, but by shaping them, giving them voice and character.”

Dr. Milton Wabyona speaking during the panel discussion. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
Dr. Milton Wabyona speaking during the panel discussion.

Characters like Queen, Mwanga, Kabelega, and others in the film weren’t just historical names—they had become people with motivations, fears, and contradictions. That was the power of art.

Then Dr. Wabyona took the floor once more.

“Music speaks in ways plain words never can,” he said. “You don’t need to understand Lingala to dance to Congolese music. That’s how powerful rhythm and pitch are.”

But behind the excitement lay a persistent concern—money. Could Ugandan cinema be self-sustaining?

Dipio paused before answering. She didn’t sugarcoat it.

“We are not yet consuming enough art,” she said. “We don’t have the culture of going to the cinema like in Burkina Faso, where the whole country stops for the FESPACO film festival.”

Comedy, she admitted, was one area where Ugandans paid. But serious artistic films struggled.

“We need to cultivate an audience. We need to teach our people that consuming art is not luxury—it is culture. It is growth.”

Wabyona agreed. He shared how many Ugandan productions, like Ndere Troupe, offer free shows, yet the audiences are overwhelmingly foreign.

“When your own people don’t show up,” he said, “you begin to understand the kind of crisis we’re in.”

The audience watching the film. Department of Literature, School of Languages, Literature and Communication, College of Humanities and Social Sciences (CHUSS) screening of Tuko Pamoja, a documentary by Dr. Cindy Magara, Nyati Motion Pictures, 13th May 2025, Main Hall, Makerere University, Kamapala Uganda, East Africa.
The audience watching the film.

Then, quietly, the conversation turned to the political dangers of art.

“Have you ever censored yourself?” Kiyimba asked Dipio.

She smiled.

“So far, my films have been harmless. But make no mistake—art is political. Even saying it’s not political is a political act.”

She quoted a colleague: “Art disturbs.” And that’s what makes it powerful—and dangerous.

“Where the state seeks to unify, art challenges. It asks hard questions. It stirs the water.”

And yet, art also carries hope.

As the discussion ended, the audience was left with a simple but profound idea: A society can be judged by the art it consumes. In that sense, the future of Uganda’s creative arts isn’t just about budgets, scripts, or shows—it’s about whether its people choose to see themselves on the screen, in the music, in the dance, in the story.

And that choice, perhaps, is the most powerful act of all.

Jane Anyango is the Principal Communication Officer, CHUSS

Jane Anyango

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Humanities & Social Sciences

Korean Language Classes

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Students stroll past the Frank Kalimuzo Central Teaching Facility-CTF (Left) and School of Social Sciences (Right) on the Makerere University Main Campus. Staircase, Walkway, Male, Female, Kampala Uganda, East Africa.

Centre for Language and Communication Services (CLCS), College of Humanities and Social Sciences (CHUSS) Makerere University in collaboration with the Korea International
Cooperation Agency (KOICA) invite applications for Korean Language Classes for students and members of the public.

Courses by Level

  • Beginner
  • Elementary
  • Intermediate
  • Online
  • TOPIK

Instructor: Wongo Yoon wongoyoon@gmail.com

Registration is open, you can register to join the course any time of the year.

Registration:

To register, call the Centre for Language and Communication Services (CLCS): +256 756 12 8046 / +256 775 424704

For more information Whatsapp: +256 790 505658 (Yoon) / +256 757 710511 (Mariam)

See downloads for Class Timetable

The Korean Corner is located on the 2nd floor of the Main Library at Makerere University.

Mak Editor

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